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Key visual: the AI host ALEX on a tall vertical stage screen, under the hall's grid of lit rings.

Pernod Ricard Kazakhstan

Work · «EVOLUTION» annual congress · 2026

One AI host, a whole business day

The congress was called EVOLUTION. Its business day was given to ALEX — an AI presenter who carried seven segments of the programme and spent them handing the room back to its own people.

15
colleagues as living portraits, one cast
7
programme segments carried by one host
9:47
of rendered AI host, across 16 cues
0
strategic decisions left to AI that day

In short

EVOLUTION, the 2026 annual congress of Pernod Ricard Kazakhstan, gave its business day to an AI host. ALEX — a virtual assistant and analyst — opened the day, carried seven segments of the programme and closed the official part, while fifteen colleagues appeared beside him as living portraits. Flavatars built the AI layer: design, production, synthetic voices and animation. Production: FIRST MEDIA. Director: Iaroslav Gubskyi.

The idea

A spiral, performed live

Pernod Ricard Kazakhstan gathers its distributor partners once a year. In 2026 the congress was called EVOLUTION, and the idea underneath it was a fusion: years of industry expertise on one side, current technology on the other. One sign held the two together — the spiral, for progress that keeps moving rather than arriving. In the hall it was built as a ceiling grid of lit rings. A theme you could stand under.

The AI layer performed that theme instead of illustrating it. ALEX stood at the front of every segment he was given, wearing his own halo of concentric rings. Fifteen colleagues stood beside him as living portraits, in one wardrobe and one light. At a corporate congress, technology is normally something described from the stage. Here it stood on it. The concept had a voice.

The host

Meet ALEX

The standby loop, exactly as it held the screen between cues · 15 seconds

«I am ALEX. A virtual assistant and analyst.»

His lines were written and performed in Russian; every quotation here is translated.

That is how the day opened — and it was followed immediately by a confession. He tells the hall he was mildly surprised to learn he would be speaking at a congress alongside people, because he usually works in silence: analysing data, building models, seen by nobody. Then he sets the terms himself. Global data, market trends and analytics are his territory; what happens here, in Kazakhstan, at each partner, is known by the people in the room.

He is a white-and-grey humanoid: a schematic contour traced across the skull and face, blue lit eyes, an armoured torso with a glowing core, a halo of concentric rings above his head. Behind him stands a blue data centre with analytics running on its screens. Every cue holds the same framing from his first word to his last — no cutaways, no second angle. Not a run of video inserts; a feed that had stayed open since morning.

Seven segments of the programme were his: opening, off-trade, on-trade, B2B and e-commerce, marketing, digital and AI, finale. Sixteen spoken cues in all, nine minutes forty-seven seconds of rendered host across one congress day, the longest single cue running 1:43. Another 3:20 of his voice narrated the event’s video content. A host, in the plain sense of the word — the one who holds a day together between other people’s speeches.

The making

Twenty-five faces before the right one

Rejected route one: porcelain android busts in white, pearl-pink and gold, male and female.
Route one — the porcelain android. Sixteen stills, and the host was still both a man and a woman.
Rejected route two: a silver-grey female android with white circuit traces and amber eyes.
Route two — a silver-grey woman with amber eyes. Nine renders, almost all of them hair.
01

Two routes, both abandoned

Before ALEX existed, two visual directions were built and dropped. The first drew the host as a glossy porcelain android on pastel backdrops — white, pearl-pink, gold trim — and had not yet settled whether the host should be a man or a woman. The second went the other way: a silver-grey woman with white circuit traces and amber eyes, its nine renders spent almost entirely on hair. Twenty-five stills, none of them him. ALEX was locked twenty-six days after the first exploration image.

02

Thirteen voices for one voice

The third route was not visual at all. Thirteen candidates read the same short test text in a single fifty-minute session — two of them deliberately robotic, and neither machine voice was chosen. Six more takes followed a week later, two of them marked «more emotional». Nearly every line in the finished show was then voiced twice and the better take kept. One file in the archive holds nothing but eight phonetic respellings of a single brand name, tuned until the host said it the way the room says it. Casting a voice is still casting.

03

One framing, held all day

A host who appears only when he speaks reads as a video insert. So every cue was rendered in one locked framing — the same medium close-up, the same blue data-centre plate, the same halo — and two standby loops were built for the gaps, fifteen seconds each, in which ALEX simply looks at the hall. All of it built 9:16, for a tall vertical screen standing beside the stage. Nobody had to be told he was still there.

The cast

Fifteen colleagues, eight seconds each

Fifteen colleagues from the company appeared on screen as living portraits: a photoreal portrait that moves — a blink, a breath, a shift of expression — behind a transparent AR visor with a magenta read-out across the eyes. Eight seconds each, square, silent — straight from the show files.

Six of the fifteen digital twins in one frame — one wardrobe, one light, one visor.
One wardrobe, one light, one loop length — the reason fifteen separate renders arrive as a single cast.

The craft decision was uniformity. One wardrobe for all fifteen, a black mandarin-collar jacket over a white shirt; one near-black background; one soft key light; one loop length. Two of the fifteen carry a deliberate variation in tailoring, and that is the entire margin.

The pipeline ran in three steps: a vertical portrait generated first, reframed square, then animated. Fifteen separate renders, built to arrive as one cast.

None of the fifteen are named here, and none are labelled on the page. It was a closed congress. The format and the craft are ours to publish; the names, the roles and everything said about the business that day stay with the client.

The room

Under the same rings

Photographs from the hall carry the format better than a description does: the ceiling grid of lit rings, the mark drawn in light, the rows before the doors opened. Every render of the host was built vertical, for a standing screen at the side of the stage — that shape is a decision, not a default. At that ratio and that position he stands beside the speaker instead of spreading across the main wall.

The congress stage under a ceiling grid of lit rings, the brand mark drawn in light.

[ 01 · THE SIGN, BUILT IN LIGHT ]

A theme you could stand under.

The market on the main wall, the rings overhead.
The market on the main wall, the rings overhead.
The panorama the hall watched from the first row back.
The panorama the hall watched from the first row back.
The gala dinner — the part of the evening that belonged entirely to the people in the room.

[ 02 · AFTER THE BUSINESS DAY ]

Then the evening belonged entirely to the room.

Rows of empty seats under the ring rig, minutes before the doors opened.
Minutes before the doors opened — the rig lit, the seats still empty, the host already awake on the side screen.

The facts

Everything, in one table

Client Pernod Ricard Kazakhstan
Project «EVOLUTION» — annual distributor congress
Year 2026
Concept Years of industry expertise fused with current technology
Visual centre The spiral · continuous progress, growth, movement forward
AI host ALEX — «a virtual assistant and analyst», across the business day
Programme Opening · Off-Trade · On-Trade · B2B & E-Commerce · Marketing · Digital & AI · Finale
Host on screen 16 spoken cues · 9 min 47 s in total · longest cue 1:43
Standby loops Two idle loops · 15 seconds each · 9:16, for a vertical screen beside the stage
Digital cast 15 living portraits · 8 seconds each · square, silent
Casting 25 avatar stills rejected across two visual routes · 13 voices auditioned, 19 takes
Also voiced 3 min 20 s of AI narration for the event’s video content
The day Business blocks → golf and open conversation → gala dinner
AI layer Flavatars — design, production, synthetic voices and animation for the AI host and the digital twins
Event production FIRST MEDIA
Director Iaroslav Gubskyi
Creative team Andrey Glushik / Yana Abraimova

FAQ

Quick answers

Who is ALEX, the AI host of the Pernod Ricard Kazakhstan congress?

ALEX is the AI host of EVOLUTION, the 2026 annual congress of Pernod Ricard Kazakhstan. He introduces himself on stage as a virtual assistant and analyst, and he works as the virtual host of the whole business day — opening, off-trade, on-trade, B2B and e-commerce, marketing, digital and AI, finale. A white-and-grey humanoid with blue lit eyes and a halo of concentric rings above his head. Flavatars designed, produced, voiced and animated him.

Can an AI avatar host a conference, not just the opening?

At EVOLUTION it carried the whole business day. ALEX was not an insert: he opened the congress, ran seven segments of the programme — off-trade, on-trade, B2B and e-commerce, marketing, digital and AI among them — and closed the official part. Sixteen spoken cues, nine minutes forty-seven seconds of screen time, spread across a full programme. Human speakers took their sections in between; the AI held the thread between them. An AI emcee, in other words — for a full business day, not for a two-minute opening.

Does an AI host replace the human speakers?

The opposite was written into the script. In the digital block ALEX says the tools take away routine and give people back the time for what needs judgement, context and real relationships — and that not one of them made a single strategic decision that day. He closes by telling the room they know their own market better than any artificial intelligence does.

What were the fifteen digital twins of employees?

Fifteen colleagues appeared as living portraits — eight-second square loops in which a photoreal portrait moves: a blink, a breath, a shift of expression, behind a transparent AR visor with a magenta read-out. One wardrobe, one near-black background and one loop length for all fifteen, so the screen read as a single cast rather than fifteen separate videos.

Why are the people in the digital twins not named?

Because the congress was a closed distributor event. Flavatars publishes its own work — the format, the cast, the craft — and not the client’s names or the client’s numbers. The fifteen twins are shown here as a visual cast; the names, the roles and everything said about the business in that room stay with the client.

How was the voice of the AI host cast?

Like an actor’s. Thirteen candidates read the same short test text in a single fifty-minute session, two of them deliberately robotic — and neither machine voice was chosen. A second round of six takes followed a week later, two of them marked «more emotional». Nearly every finished line was then voiced twice and the better take kept.

How do you keep an AI avatar alive on screen between lines?

With standby loops. The host’s loop is fifteen seconds of an avatar simply looking at the room — small movements of the head and the eyes — so the screen never goes dead between cues. Two variants were rendered, so the idle never settles into a frozen image. The fifteen portraits do the same in eight-second loops.

What was the idea behind EVOLUTION?

A fusion of long-standing industry expertise with current technology, held together by one sign: the spiral, for continuous progress, growth and movement forward. It runs from the lit rings above the hall to the halo of concentric rings above the AI host’s head.

Who made the AI avatars for the EVOLUTION congress?

Flavatars built the whole AI layer — design, production, synthetic voices and animation for the AI host and for the fifteen digital twins. The congress itself was produced by FIRST MEDIA and directed by Iaroslav Gubskyi, with Andrey Glushik and Yana Abraimova on the creative team.

Is this the same team as the Hyundai Kazakhstan AI co-hosts?

The same partnership, a different production. Flavatars built the digital cast at both; EVOLUTION was produced by FIRST MEDIA and directed by Iaroslav Gubskyi, while the Hyundai Winter Dealer Conference 2026 was produced by Gubsky Talent Hub. Two annual conferences, two formats — eight counterparts in dialogue there, one host carrying the day here.

The finale

A host measured by what it hands over

«I have spent this whole day with you… and honestly, you know your market better than any artificial intelligence.»

ALEX, closing the congress · translated from the Russian script

He had been building to it since the opening. Block by block the script gave the analysis to the machine and the judgement to the room, and in the digital block he said it out loud: the tools take away routine, not decisions. An AI host earns its place on a corporate stage by making the people in front of it larger. Building the host is the easy half.

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